Indeed it might but in the mean time have you looked at the Library curves for some fast corrections from Daylight to Tungsten?
See attached Screen shot.
There may be a better starting point for your light balance challenged images.
Greg
Re: I would like some suggestions for topics to include in CM201-Beyond The Basics.
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- Posts: 4927
- Joined: Fri Sep 20, 2013 8:29 pm
You could do an experiment, however to start the ball rolling - I took these images on my first CM course to see if I could convert one to t'other - I failed of course! (and I think it is impossible to get right - am I correct Greg?).
I include the RGB channels - is it obvious which belongs to which?
I think one needs a better image with more colours and variation (perhaps a print test image) for a proper experiment.
I include the RGB channels - is it obvious which belongs to which?
I think one needs a better image with more colours and variation (perhaps a print test image) for a proper experiment.
Getting it right in this area can be very subjective.
I usually find that if I get parts of an image right I also get parts of it wrong. It usually comes down to acceptable compromises.
For a scene like this one, where are converting to Daylight I can usually do a better job of "getting it right" I have better visual references to work with.
When you have a daylight balance and indoor lighting it gets very muddy, very fast. Many times with "mixed" lighting you have a strong color cast that you can get rid of only to find a second color cast that is creating problems in the image. An example would be a church with stained glass windows or sodium lights with florescent in the background.
Any mixed lighting scene is a "special" challenge and can require multiple steps, masking, and even color space changes.
Bad color balance can be overcome....http://www.curvemeister.com/forum/index.php?topic=2222.0
Greg
I usually find that if I get parts of an image right I also get parts of it wrong. It usually comes down to acceptable compromises.
For a scene like this one, where are converting to Daylight I can usually do a better job of "getting it right" I have better visual references to work with.
When you have a daylight balance and indoor lighting it gets very muddy, very fast. Many times with "mixed" lighting you have a strong color cast that you can get rid of only to find a second color cast that is creating problems in the image. An example would be a church with stained glass windows or sodium lights with florescent in the background.
Any mixed lighting scene is a "special" challenge and can require multiple steps, masking, and even color space changes.
Bad color balance can be overcome....http://www.curvemeister.com/forum/index.php?topic=2222.0
Greg
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