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Example 5 Solution: Temple Bridge
There is a video version of this solution.
Foliage colors tend to blur together, yet the eye is very sensitive to them. Let's help with some Lab action.
First, I control click on two representative areas of green foliage, creating two control points on each curve.
This operation could also be done with a single contrast pin command, which would create a point at each end of the color worm..
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Two things need to happen to intensify and separate the foliage colors. The curve needs to become steeper between the two points on the a curve, and we need to retain a realistic foliage color, closer to yellow than green on the hue clock.
Let's take care of the first requirement - making the curve steeper. This gives a nice intensity to the trees, but the color is much too green.
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Enter the b curve. It also has two control points, corresponding to the amount of yellow in the two foliage colors that I control clicked on.

On the right, I've made steepened the curve between the two points, increasing the amount of yellow, and resulting in a more natural foliage color. I'll fine tune this later.
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Now the Lightness curve - adding just a but of steepness between its two points adds significant contrast and detail to the foliage.
I'm being fairly conservative. Too extreme of an S curve woud rob detail from the shadow and hight areas, which are significant in this image.
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The foliage is much perkier now, which is not surprising, but the actual colors are still too blue to be convincing.
I alt click on several different areas of foliage, and three of the four are too far from yellow for a good foliage color.
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Foliage needs to be between green and yellow, preferably closer to yellow than green.
The hue clock positions on the right are the result of small adjustments of the a and b curves. The two top hue clocks are ideal foliage colors, the bottom two are less ideal, but are an acceptable compromise.
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Here's the final image. The statue, building, and bridge tower are close to neutral on the hue clock, and the foliage colors are almost jumping off the page.
As a side effect of bumping the foliage, the red and gold colors of the bridge have also increased in saturation.
That's all for this example. Thanks for reading, and happy curving!
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